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心中的故乡

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鲨皮男与蜜桃女黄飞鸿与林世荣黑狮震雄风黑色缉毒令黑色城市王小毛的奇幻人生奥勃洛莫夫一生中的几天安托万与柯莱特安乐街巴黎两日情声光乍泄白宫也失眠注定爱你宠灵实验室歌女之歌丑小鸭历险记无限斗界之暗夜双龙超暴力机斗鲁宾逊太空历险使命88口径三天一生车祸惊魂葛蕾丝的坠落城市探险者黄金时代1946血洒胭脂马不可能的事候鸟e人梵高传

尹龙奎导演执导的《心中的故乡》,1949 年上映,尹龙奎 执导,由Choi Eun-Hee Byeon Ki-Jong Yoo Min Kim Seon-Young Seok Keum-Seong Nam Seung-Min 等主演的心中的故乡在韩国发行,豆瓣评分和口碑都很不错,心中的故乡手机在线观看等资源均是网络收集而来。一部不错的韩语剧情片。

Synopsis  Do-seong (Yoo Min) is a child monk who lives at a small mountain temple with the head monk (Byeon Ki-jong), learning the teachings of Buddha. He becomes attached to a young widow (Choi Eun-hee) who comes to pray at the temple, and the childless widow entreats the head monk to let her raise Do-seong as her own son. Conflict ensues when Do-seong's real mother (Kim Seon-young) appears, but she leaves the temple for the sake of her son's future. On the day the widow is to take the child down from the mountain, the head monk discovers that Do-seong has killed a bird by ensnaringit in a trap and decides not to let the boy go into the secular world. When Do-seong finds out that his real mother has been to the temple, he sets out to find her.  Notes  A film that has garnered recognition for its cinematography and direction by eliminating sentimentality and unaffectedly capturing the quiet life of a mountain temple. A Hometown in Heart demonstrates the camera technique and directorial skill of movies that appeared after the liberation of Korea.  A Hometown in Heart, adapted from playwright Ham Se-deok's A Little Monk (Dong-seung), was hailed upon its release as a masterpiece that marked a new pinnacle in Korean moviemaking after the liberation. Eschewing new-school sentimentality to quietly express a boy's longing for maternal love, the film unfolds the everyday lives of three generationsthe head monk, a young monk, and a little child monkagainst the backdrop of a quiet temple in the mountains. The long shots utilized by director of cinematography Han Hyung-mo to capture the beautiful scenery of the mountain temple from a distance received great critical acclaim at the time. Also, each of the film's characters is convincingly portrayed through the skillful direction of Yoon Yong-kyu. In particular, the scene which expresses Do-seong's desperate yearning for a mother's love and his birth mother's past visit to the temple by combining them into a dream sequence reveals deep consideration for articulating story and emotion via a compressed visual grammar without tending toward sentimentalism. The movie's final scene, in which Do-seong awakens from his dream and sets off down the path in search of his mother, is both touching and beautiful. The film also features Choi Eun-hee, in the part of the young widow who warmly embraces Do-seong with her love, in one of her first roles.  Afterword  - Lee Kang-su, writing under the pseudonym of Kwak Il-byeong, first adapted playwright Ham Se-deok's A Little Monk (Dong-seung) into a screenplay, which was then shot for the silver screen with additional embellishments by the director.

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